Feminism in 1970s Sitcoms

Feminism in 1970s Sitcoms

We are searching data for your request:

Forums and discussions:
Manuals and reference books:
Data from registers:
Wait the end of the search in all databases.
Upon completion, a link will appear to access the found materials.

During the Women's Liberation Movement, U.S. television audiences were offered a dose of feminism in several 1970s situation comedies. Moving away from the “old-fashioned” nuclear family-oriented sitcom model, many 1970s sitcoms explored new and sometimes controversial social or political issues. While still creating humorous shows, television producers provided audiences with feminism in 1970s sitcoms by using social commentary and strong female protagonists - with or without a husband.

Here are five 1970s sitcoms that are worth watching with a feminist eye:

01of 05

The Mary Tyler Moore Show (1970-1977)

Cloris Leachman, Mary Tyler Moore, Valerie Harper in 1974 publicity shot for The Mary Tyler Moore Show. Silver Screen Collection / Getty Images

The lead character, played by Mary Tyler Moore, was a single woman with a career in one of the most acclaimed sitcoms in television history.

02of 05

All in the Family (1971-1979)

All in the Family cast, 1976: Jean Stapleton holding Corey M Miller, Carroll O'Connor, Rob Reiner and Sally Struthers. Fotos International/Getty Images

Norman Lear's All in the Family starring Carroll O'Connor did not shy away from controversial topics. The four main characters -- Archie, Edith, Gloria and Mike -- held wildly varying opinions on most issues.

03of 05

Maude (1972-1978)

Beatrice Arthur as Maude, 1972. Lee Cohen/Liaison

Maude was a spinoff from All in the Family that continued tackling tough issues in its own way, with Maude's abortion episode being one of the most famous.

04of 05

One Day at a Time (1975-1984)

Bonnie Franklin, 1975. Michael Ochs Archives/Getty Images

Another show developed by Norman Lear, One Day At A Time featured a recently divorced mother, played by Bonnie Franklin, raising two teenage daughters, Mackenzie Phillips and Valerie Bertinelli. It tackled many social issues revolving around relationships, sexuality and families.

05of 05

Alice (1976-1985)

Linda Lavin at Golden Globes, 1980. Fotos International/Bob V. Noble/Getty Images

At first glance, it may not seem particularly “feminist” to watch three waitresses slogging away in a greasy spoon diner, but Alice, loosely based on the film Alice Doesn't Live Here Anymore, explored the difficulties faced by a widowed working mother as well as the camaraderie among a group of working class characters.